Demon Wind (1990)

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Welcome back to Nights of Demons Month here at B-Movie Enema.  This is our month long celebration of Halloween featuring five movies that all have some sort of demonic angle or something.  Last week, we looked at Lamberto Bava’s Demons that certainly got air play on cable as well as something most people in their 30s and 40s rented at the local video store.  This week is another case of that.

We’ll be looking at 1990’s Demon Wind.  And let’s just go ahead and get the cat out of the bag.  That is a terrible title.  Seriously, it sounds like something you’d call a fart.  Like a really gross fart.  One that lingers and slowly kills your friends one-by-one while they sleep.  I’ve had a few of those so I know what I’m talking about.

My life is littered with the corpses of dead friends who succumbed to my poor dinner choices. Continue reading “Demon Wind (1990)” →

Demons (1985)

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You know what?  It’s been a long time since I’ve watched a truly Italian horror flick for a B-Movie Enema.  In the early days of the blog, I covered a couple Italian flicks like The Night Evelyn Came Out of the Grave and The Eerie Midnight Horror Show.  I have seen a bunch of Italian (and other European) movies in my day, and I’m surprised it’s been since White Comanche in the summer of 2016 that I’ve returned to Europe’s boot.

Also, since this is October, it’s time for a new Halloween theme for B-Movie Enema!  This year, I’m going for some good old fashioned demon action with this year’s Nights of Demons month!  To kick off this theme, I am returning to Italy for the Lamberto Bava-directed, Dario Argento-produced Demons from 1985.  This won’t be the only time we’ll visit Italy this month either, so look out for that. Continue reading “Demons (1985)” →

Ilsa, The Tigress of Siberia (1977)

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And here we are, the final entry for the Ilsa She-Wolf of SSeptember theme month at B-Movie Enema.

Thus far, we’ve seen Ilsa run a Nazi concentration camp, a sheikh’s harem and sex slave trade… warehouse(?), and a psychiatric hospital in (probably) Spain.  Now, we turn back the clock to 1953 Soviet Union.  Here, Ilsa runs a gulag in Siberia for political prisoners where she breaks them mentally and physically.

Not only does this come full circle back to Canada as the sole country of production, but we also have a couple star-studded names producing the film.  First, we have Ivan Reitman who, before coming to America to produce and direct some of the biggest and best comedies of the 80s, produced horror and exploitation films like this and David Cronenberg’s Shivers.  He and Cronenberg were great friends both from Canada, and it was Reitman’s suggestion for Cronenberg to cast one of the biggest porn stars of all time, Marilyn Chambers, in Rabid. Continue reading “Ilsa, The Tigress of Siberia (1977)” →

Ilsa, The Wicked Warden (1977)

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We’re back for round 3 of Ilsa She-Wolf of SSeptember Month here at B-Movie Enema.  Last time, I mentioned that this week’s installment, Ilsa, The Wicked Warden, was a bit of the redheaded stepchild of the series.  It’s not because Ilsa is a redhead this time around (I mean… yes that too), but it’s really because this movie was never meant to be a part of the series.

The first two, as well as next week’s installment, were legitimately made to all be about a ball-busting chick (sorta) named Ilsa who ran a prison camp or a harem.  This was actually meant to be entirely separate.  This film was legitimately filmed to be like those other women in prison, sexploitation flicks and be marketed overseas.  What better way to sell them than to have Dyanne Thorne be your villainess?  And how do you give it more of the European flavor? Continue reading “Ilsa, The Wicked Warden (1977)” →

Ilsa, Harem Keeper of the Oil Sheiks (1976)

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Ilsa She-Wolf of SSeptember soldiers on with another installment in Dyanne Thorne’s ruthless, big-tittied, dominatrix title character’s filmography.

This time, she’s a harem keeper.  A harem keeper of the oil sheiks.

I know what you’re thinking though…  “Geoff, I read your B-Movie Enema blog loyally every goddamned week.  I thought Ilsa died at the end of her first movie?  What the fuck gives you pencil dick fuck nugget?”  (Yes, I know that is exactly what you, my dear readers, say about me.)   Continue reading “Ilsa, Harem Keeper of the Oil Sheiks (1976)” →

Ilsa, She-Wolf of the SS (1974)

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Welcome to Ilsa, She-Wolf of SSeptember Month here at B-Movie Enema.  What the hell does that mean?  Well, over at Film Seizure, I’m co-hosting a month of sexy thrillers called Sexy September.  What better way to compliment that than to have a scumbag version of the same theme over here?

And, if I’m going to do that, there’s only one way to make it really scumbaggy…  Nazisploitation.

Nazis are evil sons of bitches.  They are basically the lowest form of person to have ever lived.  While I’m sure it can be argued exactly how many people in the German population between 1933 to 1945 were true blue believers of the horrific ideals of Adolf Hitler, there’s no better movie villain ever than those damn scuzzy fuckin’ Nazis.   Continue reading “Ilsa, She-Wolf of the SS (1974)” →

Sweet Sweetback’s Baadasssss Song (1971)

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Oh baby, we’re back to some sweet, sweet blaxploitation!

There are few in the sub-genre of blaxploitation that are as highly regarded as Melvin Van Peebles’ Sweet Sweetback’s Baadasssss Song.  It carries the distinction of being included as part of the permanent collection of The Museum of Modern Art.  It’s also the first to be labeled as “blaxploitation”.  So if you want to go back to the beginning of the phenomenon, well, you can’t go back further than this. Continue reading “Sweet Sweetback’s Baadasssss Song (1971)” →

The Hearse (1980)

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This week’s B-Movie Enema comes from the dawn of the glorious decade known as the 1980s.  It’s the focus of every soft rock radio station’s weekend format.  It’s the predominating style of music on all mainstream movies’ soundtrack albums.  It’s the decade I visit the most by far.

And because The Hearse is a 1980 horror movie, famed movie critic Roger Ebert called it an idiot plot movie.  It’s his saying for a movie in which all the characters in the plot have to be idiots.  Now, I’m not saying that Roger Ebert is a snob and grossly underestimates the average horror movie, but most horror movie fans like this movie.  Probably because they are idiots and they really like idiot plots.  Continue reading “The Hearse (1980)” →